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Digital drawing
This chapter explores a range of drawing practices to consider how characteristics of analogue and digital transmission can be exploited for expressive effect. In drawing, the distinction between the analogue and the digital is subject to multiple pressures, especially due to the tendency of computer technology to move towards the appearance of transparent and continuous analogue transmission, and due to the conceptual possibilities of artefacts that are digital but not digitized, which introduce the prospect of continuous digital transmission. Such pressures offer scope to expose, emphasize or critique the longer lineage of mimetic transmission drawing constructs. The discussion refers to practitioners working in mathematics, software development and fine art, including John Berger, Susan Turcot, Herbert Franke, A. Michael Noll, Ivan Sutherland, Jochem Hendricks and Charlotte Webb.
History
School
- Design and Creative Arts
Department
- Creative Arts
Published in
A Companion to Contemporary DrawingPages
389 - 405Publisher
Wiley BlackwellVersion
- AM (Accepted Manuscript)
Rights holder
© John Wiley & Sons, Inc.Publication date
2020-10-20Copyright date
2020ISBN
9781119194545; 9781119194583Publisher version
Book series
Blackwell Companions to Art History; 20Language
- en
Editor(s)
Kelly Chorpening; Rebecca FortnumDepositor
Dr Tamarin Norwood Deposit date: 18 November 2019Usage metrics
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