Digitally Post-Human 2.pdf (668.4 kB)
Digitally post-human: living on and after
Definitions of digital abound at the present time, but there is a thread amongst the most vital of these that questions the relevance of human agency and evaluative choice. If we follow where technological advances take us we come to the unsettling conclusion that ‘machine reading’ has usurped more analogue procedures and that algorithmic formulae have supplanted human judgement; the opportunities that new software provide can outstrip our imagination in framing research questions. Literary history, however, addresses how we might make sense of the One as well as the Many, and, when confronted by a string of word- or phrase-patterns, it is not that our findings speak for themselves; we have to conjure their value. This is exemplified by analysing where some digital searches might take us in relation to Shakespeare’s The Merchant of Venice, basing the reading on all the repetitions of gentile/gentle, kind, and credit. The sensitive interrogation of the play’s electronic text does point us to salient ‘returns’ and patterning signalled by following where the significant iterations of these words might take us, but what we make of these lines of enquiry eventually calls on human evaluation and volition.
History
School
- The Arts, English and Drama
Department
- English and Drama
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CounterTextVolume
6Issue
1Pages
78 - 101Publisher
Edinburgh University PressVersion
- AM (Accepted Manuscript)
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© Edinburgh University PressPublisher statement
This is an Author’s Accepted Manuscript of an article published by Edinburgh University Press in CounterText. The Version of Record is available online at: http://www.euppublishing.com/doi/abs/10.3366/count.2020.0183.Acceptance date
2019-05-23Publication date
2020-05-31Copyright date
2020ISSN
2056-4406eISSN
2056-4414Publisher version
Language
- en
Depositor
Prof Nigel Wood. Deposit date: 31 March 2020Usage metrics
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