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Specters of the mind: ghosts, illusion, and exposure in Paul Leni’s The Cat and the Canary
Specters of the mind: ghosts, illusion, and exposure in Paul Leni’s The Cat and the Canary
History
School
- Social Sciences
Department
- Communication, Media, Social and Policy Studies
Published in
Cinematic GhostsPages
59 - 75Citation
NATALE, S., 2015. Specters of the mind: ghosts, illusion, and exposure in Paul Leni’s The Cat and the Canary. IN: Leeder, M. (ed.) Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era. London: Bloomsbury Academic, pp. 59 - 75.Publisher
Bloomsbury AcademicVersion
- AM (Accepted Manuscript)
Publisher statement
This work is made available according to the conditions of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence. Full details of this licence are available at: https://creativecommons.org/licenses/by-nc-nd/4.0/Publication date
2015Notes
Closed access until 2017. This is a chapter from the book, Cinematic Ghosts, published by Bloomsbury Academic http://www.bloomsbury.com/us/cinematic-ghosts-9781628922141/ISBN
9781628922141Language
- en
