Becoming women: Irigaray, Ireland and visual representation
This chapter outlines the intertwining representation of nation and 'woman' in Ireland. An initial discussion of representations of women in Irish myth and religion will outline how iconic representations of women in Ireland produce the function of the representation, 'woman', as being a cypher of nation, while reducing actual women, politically and empirically, to mother. Irigaray argues that patriarchy has disrupted mother-daughter relationships through an act of matricide. The iconic and multi-faceted figure of Mother Ireland and the social ideal of the self-sacrificing mother both set reductive limits on any horizon of possibilities for each other and for actual women. At the heart of nationalist political and cultural thinking in Ireland, it is easily possible to locate a formation of 'woman' which is restrictive for actual women. It is a formation resulting from a highly specific interlacing of history, religious structures, myth, metaphor and metonymy, interlaced and represented in local language and visual imagery.
History
School
- Social Sciences and Humanities
Department
- International Relations, Politics and History
Published in
Art, Nation and Gender: Ethnic Landscapes, Myths and Mother-FiguresPages
113 - 127Publisher
RoutledgeVersion
- AM (Accepted Manuscript)
Rights holder
© Tricia Cusack and Sighle Bhreathnach-LynchPublisher statement
This is an Accepted Manuscript of a book chapter published by Routledge in Art, Nation and Gender: Ethnic Landscapes, Myths and Mother-Figures on November 30, 2017, available online: http://www.routledge.com/9781138723764.Publication date
2017-11-30Copyright date
2003Notes
Book first published 2003 by Ashgate Publishing.ISBN
9781138723757; 9781138723764; 9781315192857Publisher version
Book series
Routledge RevivalsLanguage
- en