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Practice as research: Philosophy and aesthetics of Chinese landscape painting applied to contemporary Western film and digital visualisation

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conference contribution
posted on 09.01.2019 by Christin Bolewski
This practice-led research project investigates how East Asian Art traditions can be understood through reference to the condition of Western contemporary visual culture. Proceeding from Chinese thought and aesthetics the traditional concept of landscape painting ‘Shan-Shui-Hua’ is recreated within the new Western genre of the ‘video-painting’. The main features of the traditional Chinese landscape painting merges with Western moving image practice creating new modes of ‘transcultural art’ - a crossover of Western and Asian aesthetics - to explore form, and questions digital visualisation practice that aims to represent realistic space. Confronting the tools of modern computer visualisation with the East Asian concept creates an artistic artefact contrasting, confronting and counterpointing both positions.

History

School

  • The Arts, English and Drama

Department

  • Arts

Published in

The Art of Research Conference *

Pages

1 - 1

Citation

BOLEWSKI, C., 2009. Practice as research: Philosophy and aesthetics of Chinese landscape painting applied to contemporary Western film and digital visualisation. Presented at the Art of Research Conference, University of Art and Design, Helsinki, Finland, 24-25 November 2009.

Version

AM (Accepted Manuscript)

Publisher statement

This work is made available according to the conditions of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence. Full details of this licence are available at: https://creativecommons.org/licenses/by-nc-nd/4.0/

Publication date

2009

Notes

This is a conference paper.

Language

en

Location

24-25.11-2009 University of Art and Design Helsink

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