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drawing through touch: a phenomenological approach

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conference contribution
posted on 14.07.2015 by Deborah Harty
The paper will discuss the phenomenology of drawing and how this may be useful for thinking about documenting and holding information, to provide aids when working with blind and visually impaired students. Drawing is said to be phenomenological: not only capable of recording its own making, but also the movement of the thoughts and body of the draftsman. Rosand (2002, p.16) states, “Responding to drawings, we make our way back, through line, to the originary impulse of the draftsman. Interpretation involves a connecting act of re-creation, the self-projection of the viewer reimagining the process of drawing.” Are these still viable claims when the visual element of the drawing is removed and replaced by touch? Working from the standpoint of Merleau-Ponty (2004) - who sought to identify the specific role of the body as mediator between the world and self - the paper will argue that they are and, as a consequence, drawing has the potential to enhance the documentation and transferring of information to the blind and visually impaired, through tactiles created from their own experiences of drawing through touch.

History

School

  • The Arts, English and Drama

Department

  • Arts

Published in

Drawing Out

Citation

HARTY, D., 2012. drawing through touch: a phenomenological approach. IN: Drawing Out, University of the Arts, Chelsea, London, 28th - 30th March 2012.

Publisher

process: arts

Version

AM (Accepted Manuscript)

Publisher statement

This work is made available according to the conditions of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence. Full details of this licence are available at: https://creativecommons.org/licenses/by-nc-nd/4.0/

Publication date

2012

Notes

This is a conference paper.

Language

en

Location

University of the Arts London

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