Through briefly tracing the making of a new square in the Botafogo district of Rio de Janeiro we evidence how Nelson Mandela’s heritage is conveyed through the introduction of urban graphic objects. In doing so we highlight how an otherwise indistinct parcel of land is further transformed into Praça Nelson Mandela and subsequently differentiated and enhanced through the imposition of graphic heritage associated with him. Therefore, we aim to raise awareness of the role of the graphic object in the larger scaled urban object. The specific intent of the research is three-fold: i) identify a disciplinary perspective to analyse the early collection of visual data; ii) acknowledge the significance of the iconography associated with visual representations of Nelson Mandela; and iii) identify possibilities for further analysing the collected assets and the potential for future graphic heritage interventions. The research provides a cross-disciplinary view integrating the morphological and visual dimensions of urban design.
Funding
Repositioning Graphic Heritage
Department for Business, Energy and Industrial Strategy
[ ] With Design: Reinventing Design Modes: Proceedings of the 9th Congress of the International Association of Societies of Design Research (IASDR 2021)
Pages
1856–1866
Source
With Design – 9th International Congress of International Association of Societies of Design Research Conference 2021
This version of the contribution has been accepted for publication, after peer review (when applicable) but is not the Version of Record and does not reflect post-acceptance improvements, or any corrections. The Version of Record is available online at: https://doi.org/10.1007/978-981-19-4472-7_120. Use of this Accepted Version is subject to the publisher’s Accepted Manuscript terms of use https://www.springernature.com/gp/open-research/policies/accepted-manuscript-terms.