posted on 2024-10-16, 13:38authored byCharalampos Saitis, Bleiz M Del Sette, Jordan Shier, Haokun Tian, Shuoyang Zheng, Sophie Skach, Courtney ReedCourtney Reed, Corey Ford
Timbre is a nuanced yet abstractly defined concept. Its inherently subjective qualities make it challenging to design and work with. In this paper, we propose to explore the conceptualisation and negotiation of timbre within the creative practice of timbre tool makers. To this end, we hosted a hackathon event and performed an ethnographic study to explore how participants engaged with the notion of timbre and how their conception of timbre was shaped through social interactions and technological encounters. We present individual descriptions of each team's design process and reflect on our data to identify commonalities in the ways that timbre is understood and informed by sound technologies and their surrounding sonic cultures, e.g., by relating concepts of timbre to metaphors. We further current understanding by offering novel interdisciplinary and multimodal insights into understandings of timbre.
Funding
UKRI Centre for Doctoral Training in Artificial Intelligence and Music, supported jointly by UK Research and Innovation (grant number EP/S022694/1)
Queen Mary University of London
History
School
Loughborough University, London
Published in
Proceedings of the 19th International Audio Mostly Conference: Explorations in Sonic Cultures
Volume
7
Pages
229 - 244
Source
AM '24: Audio Mostly 2024 - Explorations in Sonic Cultures