posted on 2017-11-16, 11:19authored byLouise K. Doyle
The decline of childhood has resulted in the modern child having
access to 'adult' knowledge. The suggestion of censorship leads to a
discussion on a child's psychological needs in relation to fear and
evil; dimensions of the witch. Using fairy tales as a model shows
that children do need fear for a healthy psychological development.
The symbolic meanings of the witch are analyzed revealing a
beneficial effect. lt is found that the stereotyped witch image
emerged from the sixteenth and seventeeth centuries. Using three
major themes (isolated by Ann and Barry Ulanov) fundamental to the
witch image in fairy tales; five children's 'witch' novels are analyzed
for correlations. The resulting archetypal witch is found to be
manifest in 1927, less apparent mid-century, and reappearing in the
1960s. The stereotyped witch image has undergone a steady decline
since 1927. Analyzing relevant social trends it is found that
feminism promotes the portrayal of the archetypal witch, and social
awareness has led to the portrayal of innocuous witches. lt
conclusion, irony is found in a child's increased access to 'adult'
knowledge when fear and evil in his literature are decreasing. lt is
also found that the witch presented in an archetypal form can provide
psychological benefits; innocuous witches cannot. The archetypal
witch does not promote feminism. The innocuous witch often
maintains the stereotyped image, prolonging a negative attitude
towards females.
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Publication date
1993
Notes
A Master's Dissertation, submitted in partial fulfilment of the requirements for the award of the Master of Arts degree of the Loughborough University of Technology.