The association between the football industry and the trafficking of West African youth has captivated academic, media and political interest. This article uses football trafficking as a case study to think through the broader conception of mobile African male bodies in football migration and trafficking discourses. I contribute to and move beyond existing literature on African football migration by stepping away from structural approaches currently used to conceptualise this migratory process. This is achieved by bringing migrants' subjectivities to the fore, and in doing so I also provide a novel critique of policy responses to irregular football migration. The article draws on data obtained from migrants who left West Africa for Europe, exploring the journeys these would-be footballers took, and their trajectories and circumstances after arrival. The central argument is that existing policy responses frame irregular football migrants as being ‘better off at home’. Problematically this creates a tension as for many of these migrants their country of origin is precisely where they do not want to be. Consequently, many remain in destination countries illegally without any means of subsistence.
Funding
The Economic and Social Research Council funded this doctoral research [grant number: ES/H011234/1 (ESRC PhD studentship)].
History
School
Social Sciences
Department
Geography and Environment
Published in
JOURNAL OF ETHNIC AND MIGRATION STUDIES
Volume
41
Issue
3
Pages
512 - 530 (19)
Citation
ESSON, J., 2015. Better off at home? Rethinking responses to trafficked West African footballers in Europe. Journal of Ethnic and Migration Studies, 41 (3), pp. 512 - 530.
This work is made available according to the conditions of the Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Full details of this licence are available at: http://creativecommons.org/licenses/ by/4.0/
Publication date
2015
Notes
This is an Open Access article published by Taylor & Francis distributed under the terms of the Creative Commons Attribution License (http://
creativecommons.org/Licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium,
provided the original work is properly cited.