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Critical trends in transnational cinema: Inter-Asian productions and exchanges

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journal contribution
posted on 2020-11-16, 14:16 authored by Yanling Yang, Clelia Clini, Rohit Dasgupta
© 2020 Informa UK Limited, trading as Taylor & Francis Group. In light of the shift from the first phase to the second phase of transnational cinema studies, this special issue aims to examine a set of practices of transnational cinema that have been taking place within South and East Asia. In exploring transnational cinema activities in the form of transnational remakes, co-productions, cross-contamination of genres, diasporic and (post)colonial cinemas, as well as contemporary documentary film festivals, this issue puts the spotlight on critical trends in transnational cinemas occurring beyond the Western spheres of influences. Focusing on practical applications of case studies across China, Korea, India and United Arab Emirates, this special issue contributes to the debates on the definition and practical applications for research on transnational cinema studies.

Funding

Leverhulme Trust under Grant [ECF-2018- 571]

History

School

  • Loughborough University London

Published in

Transnational Screens

Volume

11

Issue

3

Pages

177 - 186

Publisher

Informa UK Limited

Version

  • AM (Accepted Manuscript)

Rights holder

© Taylor and Francis

Publisher statement

This is an Accepted Manuscript of an article published by Taylor & Francis in Transnational Screens on 23 Oct 20, available online: https://doi.org/10.1080/25785273.2020.1823078

Publication date

2020-10-23

Copyright date

2020

ISSN

2578-5273

eISSN

2578-5265

Language

  • en

Depositor

Dr Clelia Clini. Deposit date: 13 November 2020

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