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Digital traces of ‘Twitter revolutions’: Resistance, polarization and surveillance via contested images and texts of Occupy Gezi

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journal contribution
posted on 2020-05-05, 10:36 authored by Ozge Ozduzen, Aidan McGarryAidan McGarry
Protest movements have been galvanized recently by social media and are commonly, and somewhat hyperbolically, referred to by mainstream media as “Twitter revolutions.” This article identifies social media as a battleground for disseminating contending versions of reality, not only during Twitter revolutions, but also in their aftermath. Articulating the enduring impact of popular social movements and examining how protestors and governmental supporters contest their meaning over time, the article studies the digital traces of the Gezi Park protests in Turkey (2013) after the mobilization dissipated. The digital traces of protests act as critical digital artifacts of contestation with actors on both sides (pro- and anti-AKP [Justice and Development Party] government in Turkey). These digital traces are reanimated by both actors to build support, assert truth claims, foster identity/community, and/or demand recognition. The article deploys content and multimodal analyses of texts and images on Twitter, shared through hashtags on the protests when the protests’ alleged leaders faced trials (2018‒2019).

History

School

  • Loughborough University London

Published in

International Journal of Communication

Volume

14

Pages

2543 - 2563

Publisher

University of Southern California. Annenburg Press

Version

  • VoR (Version of Record)

Rights holder

© The authors

Publisher statement

This is an Open Access Article. It is published by Annenburg Press under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence. Full details of this licence are available at: https://creativecommons.org/licenses/by-nc-nd/4.0/

Acceptance date

2020-03-01

Publication date

2020-04-27

ISSN

1932-8036

Language

  • en

Depositor

Dr Aidan McGarry Deposit date: 4 May 2020

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