From the Harlem Renaissance to Black Dada: Adam Pendleton's entangled histories
This article explores the political and aesthetic role of Black Dada in the practice of the American artist Adam Pendleton (b.1984). Pendleton’s concept of Black Dada informs his writings as well as his large-scale paintings, collages and installations. It is, he argues, ‘a way to talk about the future while talking about the past’. [...]
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- Social Sciences and Humanities
Department
- Communication and Media
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Burlington ContemporaryIssue
7Publisher
The Burlington Magazine PublicationsVersion
- VoR (Version of Record)
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© The Burlington Magazine Publications LimitedPublisher statement
This paper was accepted for publication in the Burlington Contemporary and the definitive published version is available at https://doi.org/10.31452/bcj7.dada.brownAcceptance date
2022-10-06Publication date
2022-11-07Copyright date
2022ISSN
2631-5661Publisher version
Language
- en
Depositor
Dr Kathryn Brown. Deposit date: 9 November 2022Usage metrics
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