‘In the Nightmare Country’ offers a detailed analysis of John Metcalfe’s short story, ‘The Bad Lands’ (1920), arguing that it represents an amalgam of Gothic and modernist devices and preoccupations that has significant implications for the development of twentieth-century British Gothic writing. The article considers how Metcalfe’s story was shaped by Joseph Conrad and D. H. Lawrence on one hand and Freudian psychoanalysis and wartime experiences on the other. It also examines the important role played by the anthologist, Dorothy L. Sayers, in the popularisation of emerging forms of psychological gothic during the 1930s.
History
School
Social Sciences and Humanities
Department
English
Published in
Gothic Studies
Volume
25
Issue
1
Pages
61-76
Publisher
Edinburgh University Press
Version
AM (Accepted Manuscript)
Publisher statement
This is an Accepted Manuscript of an article published by Edinburgh University Press in Gothic Studies. The Version of Record is available online at: https://www.euppublishing.com/doi/full/10.3366/gothic.2023.0153.