Alaghband-Zadeh 2017 listening to NICM.pdf (275.55 kB)
Download fileListening to North Indian classical music: How embodied ways of listening perform imagined histories and social class
journal contribution
posted on 2017-12-04, 14:58 authored by Chloe Alaghband-ZadehWith this article, I theorize the sociality of embodied ways of listening to North Indian classical music. I focus on rasikas (connoisseurs): these expert listeners are conspicuous at live performances, where they gesture and comment to express their enjoyment of the music. Based on ethnography and interviews with musicians and music lovers in Delhi, Mumbai, and Pune, I argue that rasikas’ embodied, audible listening practices enact shared imagined histories and perform expertise and social status. Moreover, these listening behaviors also sustain values of the so- called old middle class in India in the
face of economic and social change.
History
School
- Social Sciences
Department
- Communication, Media, Social and Policy Studies
Published in
EthnomusicologyVolume
61Issue
2Pages
207 - 207Citation
ALAGHBAND-ZADEH, C., 2017. Listening to North Indian classical music: How embodied ways of listening perform imagined histories and social class. Ethnomusicology, 61(2), pp. 207-233.Publisher
© Society for Ethnomusicology. Published by University of Illinois PressVersion
- VoR (Version of Record)
Publisher statement
This work is made available according to the conditions of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence. Full details of this licence are available at: https://creativecommons.org/licenses/by-nc-nd/4.0/Publication date
2017Notes
This paper was published in the journal Ethnomusicology and is available at https://www.jstor.org/stable/10.5406/ethnomusicology.61.2.0207.ISSN
0014-1836Publisher version
Language
- en