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Download fileNonlinear narratives: crossing borders between contemporary film, art and digital media practice
journal contribution
posted on 2015-10-02, 10:40 authored by Christin BolewskiThis is a report on a practice-based research project called ‘Journeys in Travel’,
which investigates contemporary modes of nonlinear narratives in film, art and digital media
practice. It is a single case study, which suggests as its main contribution to set new ground in
the development of nonlinear narratives that the structural form of cinematic essay is a suitable
adoption for nonlinear database film, which is referred to as ‘database essay’. The video
installation ‘Journeys in Travel’ is based on an algorithmic computer-controlled system and
tells a story of travel. The Open Source Software ‘PD’ (Pure Data), a real-time music and
multimedia environment mainly used to create live-algorithmic musical improvisation and
(interactive) music composition, controls here an infinite audiovisual narrative. It is a
temporary, open-ended arrangement, which sets in motion a seemingly endless chain of
references to related topics: Foreign places, tourism, ethnography, globalisation, a hyperconnected
world, movement, pace, rhythm and the relationship of film (structure), narrative
and travel. ‘Journeys in Travel’ is designed as a creative investigation into multiple modes of
contemporary digital narrative constructions. The database of video and sound elements can
act as a source for varying experimental approaches where the 'data' or 'units' of the story are
arranged and assembled according to different computer algorithms.
History
School
- The Arts, English and Drama
Department
- Arts
Published in
THE INTERNATIONAL JOURNAL OF THE ARTS IN SOCIETYVolume
6,1Pages
239 - 250 (12)Citation
BOLEWSKI, C., 2011. Nonlinear narratives: crossing borders between contemporary film, art and digital media practice. International Journal of the Arts in Society, 6 (1), pp. 239 - 250.Publisher
Common Ground Publishing © the authorVersion
- AM (Accepted Manuscript)
Publication date
2011Notes
This article was published in the International Journal of the Arts in Society [Common Ground Publishing]. Readers must contact Common Ground for permission to reproduce the article: http://commongroundpublishing.com/ISSN
1833-1866Publisher version
Language
- en