Reading Stanley Kubrick’s The Shining against the backdrop of his cinematic expression

Stanley Kubrick’s The Shining (1980) stands as a cinematic masterpiece, weaving visual and auditory elements to transcend conventional horror norms. This in-depth analysis sheds light on the film’s intricacies, including, amongst others, the Overlook Hotel’s foreboding opening and the hedge maze’s symbolism. Kubrick’s expert use of Steadicam techniques heightens vulnerability in Danny’s tricycle scenes, while the maze evolves into a psychological labyrinth. The climactic nine-minute sequence employs diverse camera tools and editing styles, revealing supernatural layers with a deliberate shift in mise-en-scene. My argument centres on Kubrick’s exceptional capacity to transcend traditional horror storytelling, using meticulous details to simultaneously evoke fear and contemplation. This analysis sheds light on the film’s artistry, showcasing how Kubrick’s work leaves an indelible mark on those who venture into the unsettling world of The Shining