Urban geography, both material and imagined, is a crucial mediating factor
in the production and consumption of music. The city provides the concrete places
which offer spaces for musical creativity. While certain spaces such as recording
studios are specifically organised for this purpose, music is produced in many
spaces, from the bedroom, garage or home studio, to community and youth
centres, to street corners and clubs. Cities also sustain networks that foster and
support musical creativity. These networks come together in locales of creativity
and production to find fixity in the concrete spaces of the city. At the same time the
networks are fluid, with musical knowledge moving within and between cities
through the mobility of skilled creatives and new technologies. A growing body of
geographical literature is attempting to foreground the spatial in music studies by
focusing on local scenes, musical production, and the particularity of certain
places. This article aims to provide an overview of current geographical research
and debates on music, with an explicit focus on the role of urban space in musical
creativity, and on the musically creative networks at work within and between
cities.
History
School
Social Sciences
Department
Geography and Environment
Citation
WATSON, A., HOYLER, M. and MAGER, C., 2009. Spaces and Networks of Musical Creativity in the City. Geography Compass, 3 (2), pp. 856-878.
This is the pre-peer reviewed version of the following
article: WATSON, A., HOYLER, M. and MAGER, C., 2009. Spaces and Networks of Musical Creativity in the City. Geography Compass, 3 (2), pp. 856-878, which has been published in final form at: http://dx.doi.org/10.1111/j.1749-8198.2009.00222.x