Building on the continuing tropes that director Hayao Miyazaki and Studio Ghibli often reflect upon in the cores of their feature films, in Howl’s Moving Castle , the themes of war, industrialisation, and metamorphosis compete, contrast, and comment upon notions of peace, nature and self-understanding...
CitationWILSON, C. and WILSON, G.T., 2015. Taoism, Shintoism, and the ethics of technology: an ecocritical review of Howl's Moving Castle. Resilience: A Journal of the Environmental Humanities, 2 (3), pp.189-194.
Publisher© University of Nebraska Press
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NotesThis paper is a pre print published in the journal Resilience: http://www.jstor.org/stable/10.5250/resilience.2.3.0189