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Taoism, Shintoism, and the ethics of technology: an ecocritical review of Howl's Moving Castle
journal contributionposted on 2015-08-10, 08:29 authored by Carl Wilson, Garrath WilsonGarrath Wilson
Building on the continuing tropes that director Hayao Miyazaki and Studio Ghibli often reflect upon in the cores of their feature films, in Howl’s Moving Castle , the themes of war, industrialisation, and metamorphosis compete, contrast, and comment upon notions of peace, nature and self-understanding...
CitationWILSON, C. and WILSON, G.T., 2015. Taoism, Shintoism, and the ethics of technology: an ecocritical review of Howl's Moving Castle. Resilience: A Journal of the Environmental Humanities, 2 (3), pp.189-194.
Publisher© University of Nebraska Press
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Publisher statementThis work is made available according to the conditions of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence. Full details of this licence are available at: https://creativecommons.org/licenses/by-nc-nd/4.0/
NotesThis paper is a pre print published in the journal Resilience: http://www.jstor.org/stable/10.5250/resilience.2.3.0189