British television has a long tradition of broadcasting ‘political fiction’ if this is understood
as telling stories about politicians in the form of drama, thrillers and comedies. We
identify and discuss three genres in which UK political TV fiction has been shaped
throughout the decades: comedy, thriller and drama. We examine the characters, themes
and narratives in these genres and assess whether they invite political engagement from
their audiences. Across time and genre, the main characters turn out to be mostly plain
men of uncertain age – around 40 or over – somewhat grumpy, somewhat clumsy and
hardly ever in full control of their situation. The dominant themes across time and genre
link closely to these types of main characters: in most thrillers they are overwhelmed
by sinister outside forces or inside political machinations. The narrative of the political
machinery that exerts its inescapable corruption over all individual politicians runs
strongly through the three genres across the whole time period. A further similarity
across time and genre is that most series are firmly linked to real-life politics. It is this
particular aspect that produces their potential relevance for affecting people’s political
understandings, judgements and engagement.
History
School
Social Sciences
Department
Communication, Media, Social and Policy Studies
Citation
VAN ZOONEN, L. and WRING, D., 2012. Trends in political television fiction in the UK: themes, characters and narratives, 1965-2009. Media Culture and Society, 34 (3), pp. 263 - 279.