Political decisions and debates regarding the interregional and interna- tional partnerships that constitute Great Britain, including those over Scottish Independence, EVEL (English Votes for English Laws) and proposed legislation on an ‘in/out’ referendum on British membership of the European Union, have contributed to, and intensified, the examin- ation of Britain’s institutions, as well as its national emblems and arche- types. In light of such a dynamic situation, Visual Culture in Britain has asked representatives of British universities, the museum sector and research centres to respond to the idea of a changing Britain through the prism of British art and visual culture, using cogent examples wherever possible, and to outline their observations, understandings and positions within this rapidly developing context.
History
School
The Arts, English and Drama
Department
Arts
Published in
Visual Culture in Britain
Volume
16
Issue
1
Pages
103 - 117
Citation
RICHARDSON, C., 2015. Wet paint: Visual culture in a changing Britain – a round table debate, 16(1), pp. 103-117.
This work is made available according to the conditions of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence. Full details of this licence are available at: https://creativecommons.org/licenses/by-nc-nd/4.0/
Publication date
2015
Notes
This is an Accepted Manuscript of an article published by Taylor & Francis in Visual Culture in Britain on 4th Feb 2015, available online: http://dx.doi.org/10.1080/14714787.2015.991620