‘You can’t stop progress’; ‘the more things change, the more
they stay the same’; ‘progress through technology’…
‘Progress’ is both the stuff of everyday conversation and the
catchcry of ideologies. Historians, sociologists, authors,
philosophers, politicians and advertisers engage with the
term. Progress, at least in its determinist sense, seems
neither stoppable nor a suitable candidate for interrogation.
For some, progress is technology, or, technology is progress.
Against such a background, much design and technology
curriculum tries to ‘keep up’ with technological trends and
innovations but can do so through little more than technical
mimicry.
This paper sets out to clarify a variety of understandings of
the concept of progress and to use these to inform design and
technology education. Thus, in looking at progress, it
presents:
• discussion of common and elaborated understandings of
the term
• a history of the concept (as it has distinct historical
contexts) – for example ‘The Idea of Progress’ and its
roots in the Enlightenment and the 20th century erosion
of faith in the notion
• exploration of the relationships between progress and
concepts such as technological determinism, technicism,
optimism, pessimism, morals and happiness
• political and ideological contexts of progress.
In the light of the above, the paper shows the contestable
nature of progress and that this need not be a reason for its
exclusion from design and technology curriculum. It is
argued that a rich and ethically defensible concept of
progress has a legitimate place in a democratic curriculum
and that holistic, rather than technocratic, design and
technology can accommodate such a concept.