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Critical mediation: tracking the social imaginary

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posted on 25.10.2018 by Reginald A. Clifford
Since the pioneering work of Harold Innes and Marshal McLuhan, accounts of social and cultural change that assign a key role to innovations in media have enjoyed considerable currency. These Medium Theories, as Joshua Meyrowitz has usefully dubbed them, are particularly concerned with how the shift from oral to literate to electronic media has successively reconfigured both cultural systems and their everyday deployment. This model of mediation suffers from major weaknesses however. It is media-centric, crudely deterministic, ethnocentric, and takes no account of patterns of social inequality. Hence, while this thesis retains Medium Theory's core concern with the impact of different modes of mediation, it draws on work in Critical Sociology and communications studies to address these deficiencies and develop an alternative model of Critical Mediation. Using contemporary Mexico City as a case study, the potential of this approach is pursued through a detailed study of the ways in which different forms of mediation shape the organisation and uses of the communal symbolic spaces that make up the Social Imaginary. [Continues.]

History

School

  • Social Sciences

Department

  • Communication, Media, Social and Policy Studies

Publisher

© Reginald A. Clifford

Publisher statement

This work is made available according to the conditions of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence. Full details of this licence are available at: https://creativecommons.org/licenses/by-nc-nd/4.0/

Publication date

1999

Notes

A Doctoral Thesis. Submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy at Loughborough University.

Language

en

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