Mans conscious and unconscious contribution to the
environment. An exploration through drawings,
paintings, prints and philosophical diary, one
man's reaction to chosen images from his
surroundings.
Mans creative aspirations now, as throughout
history, have followed many pathways using all
the accepted art forms be they visual, written,
spoken, musical or in the form of movement. The
underlying reasons for creative energy are many
and extremely diverse. Less noticeable, yet
equally prolific, is mankinds 'unconscious'
creative contribution to his environment and to
the very substance of his life.
Aesthetic principles are often ignored yet beauty
abounds quite naturally often in most unusual
ways.
Mans own intuitive instinct is a precious
commodity worthy of greater recognition and understanding.
The entire visual works presented for higher
degree together with the written narrative
represent a search for just a few of mans unwitting
contributions. The thesis supports the major practical involvement
by recording, in diary form, the writer's reaction
to a few of these 'unconscious' contributions to
nature's beauty; with an analysis of his own
thoughts, and reactions to the use of materials,
techniques, composition,colour and form creating
a process of evaluation. Justification and comment
are offered on the dilemma of perception in the
expression of artistic beliefs as support to the
theory that accurate self analysis can lead to
wider communication and a better understanding of
the nature of creativity.