Very little academic work has focused upon the British monarchy/ Royal
Family and its significance for the people of Britain. However, of the more
recent pieces of work on the subject, several have emphasized the
ideological impact of the institution (Coward, 1984; Williamson, 1986; Billig,
1990). This is an emphasis which similarly characterizes the present study.
Indeed a substantial part of this thesis is taken up with a theoretical
discussion about the nature of ideology itself. Following Barthes (1982), I
argue that the relationship between a culture/ ideology and its practitioners
is paradoxical. Each is simultaneously the master and slave of the other.
There are four empirical chapters contained within this volume, the first of
which is a quantitative account of popular press representations of
monarchy. The other three empirical chapters are, in part, an investigation
and illustration of the paradoxical nature of culture/ideology. Drawing
predominantly from a three-month sample of Royal-related newspaper
items (29th Nov. 1987–29th Feb. 1988) the first shows how various
cultural/ ideological themes or discourses determine or give form to the
texts. In the second I examine the ways in which similar themes are used
constructively in the production of accounts which accomplish a variety of
rhetorical, political and ideological 'moves'. These themes are also present
within the fourth empirical chapter in which I examine some of the
ideological work done via the representation of the Royals as ordinary,
extraordinary and 'superordinary' beings. Chapters 6 and 7 also serve to
reveal something of the nature of two subject matter categories as defined
in Chapter 4. In the final chapter I take issue with certain aspects of the
present study's own theoretical and methodological bases.