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The end of the curator: on curatorial acts as collective production of knowledge

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posted on 29.06.2017, 08:54 by Corina Oprea
'The End of The Curator: On Curatorial Acts as Collective Production of Knowledge' explores the convoluted liaison between knowledge production, collectivity and curating, through practices that have been neglected by mainstream curatorial platforms and art history. Bearing in mind the extensive usage of the notion knowledge production , my practice based research is guided by the question what forms of collective knowledge can curatorial practice produce?

Funding

Loughborough University, School of the Arts studentship.

History

School

  • The Arts, English and Drama

Department

  • Arts

Publisher

© Corina Oprea

Publisher statement

This work is made available according to the conditions of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence. Full details of this licence are available at: https://creativecommons.org/licenses/by-nc-nd/4.0/

Publication date

2017

Notes

A Doctoral Thesis. Submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy of Loughborough University.

Language

en

Exports

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Keywords

Exports