CO
Publications
- Sarah Waters’s Feminisms
- Sarah Waters and Contemporary Feminisms
- A Wilde Scoundrel: Villainy and ‘Lad Culture’ in the Filmic Afterlives of Dorian Gray
- All in this together? Feminisms, academia, austerity
- ‘Lovers of liberty’?Prostitution and the Politics of Choice in Emma Donoghue’sSlammerkin
- “The Grossest Rakes of Fiction”: Reassessing Gender, Sex, and Pornography in Sarah Waters'sFingersmith
- Neo-Victorian After-Affects: Female Genital Mutilation in Emma Donoghue's ‘Cured’ – The Scandalous Case of Isaac Baker Brown
- ‘Grisley “L” business’: Re-valuing Female Masculinity and Butch Subjectivity in Tipping the Velvet and The Night Watch
- Sarah Waters: Gender and Sexual Politics
- Neo-Victorian After-Affects: Female Genital Mutilation in Emma Donoghue's 'Cured' – The Scandalous Case of Isaac Baker Brown
- 'The Grossest Rakes of Fiction': Reassessing Gender, Sex, and Pornography in Sarah Waters's Fingersmith
- Feminisms
- 'Smash the Social Machine': Neo-Victorianism and Postfeminism in Emma Donoghue's The Sealed Letter
- The Equivocal Symbolism of Pearls in the Novels of Sarah Waters
- Lesbo Victorian Romp: Women, Sex, and Pleasure in Sarah Waters's Tipping the Velvet
- Afterword: Hard times for 'real' women?
- Re-claiming anne damer/ re-covering Sapphic history: Emma donoghue's life mask
- A Wilde Scoundrel: Villainy and ‘Lad Culture’ in the Filmic Afterlives of Dorian Gray
- “She Resolutely Refuses to See a Doctor”: Re-reading Emily Brontë and Tuberculosis in 1848; or Charlotte Brontë, Sickness and Correspondence
