Courtney Reed

Publications

• Exploring Experiences with New Musical Instruments through Micro-phenomenology
• Do You Hear What I Hear?
• Surface Electromyography for Sensing Performance Intention and Musical Imagery in Vocalists
• Surface Electromyography for Direct Vocal Control
• Being Meaningful: Weaving Soma-Reflective Technological Mediations into the Fabric of Daily Life
• The Body as Sound: Unpacking Vocal Embodiment through Auditory Biofeedback
• Designing Interactive Shoes for Tactile Augmented Reality
• Examining Embodied Sensation and Perception in Singing
• Examining Emotion Perception Agreement in Live Music Performance
• Singing Knit: Soft Knit Biosensing for Augmenting Vocal Performances
• Exploring XAI for the Arts: Explaining Latent Space in Generative Music
• Tactile Symbols with Continuous and Motion-Coupled Vibration: An Exploration of using Embodied Experiences for Hermeneutic Design
• Negotiating Experience and Communicating Information Through Abstract Metaphor
• Haptic Servos: Self-Contained Vibrotactile Rendering System for Creating or Augmenting Material Experiences
• Liminal Space: A Performance with RaveNET
• RaveNET: Connecting People and Exploring Liminal Space through Wearable Networks in Music Performance
• Base and Stitch: Evaluating eTextile Interfaces from a Material-Centric View
• Auditory imagery ability influences accuracy when singing with altered auditory feedback
• Sonic Entanglements with Electromyography: Between Bodies, Signals, and Representations
• Shifting Ambiguity, Collapsing Indeterminacy: Designing with Data as Baradian Apparatus
• Timbre Tools: Ethnographic Perspectives on Timbre and Sonic Cultures in Hackathon Designs
• Body Lutherie: Co-Designing a Wearable for Vocal Performance with a Changing Body
• Sensory Data Dialogues: A Somaesthetic Exploration of Bordeaux through Five Senses
• Sensorimotor Devices: Coupling Sensing and Actuation to Augment Bodily Experience