Loughborough University
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Publications

  • ‘The race for space’: capitalism, the country and the city in Britain under COVID-19
  • Gender, Media and Voice
  • Introduction: anger, media, and feminism: the gender politics of mediated rage
  • The UWE Student Occupation
  • Arriving late to the party? Histories of cultural studies as resources of hope
  • Gender, Media and Protest
  • ‘The Sunday Times among Them’: Good Afternoon!, and the Gendering of Afternoon Television in the 1970s
  • Framing the cuts: An analysis of the BBC’s discursive framing of the ConDem cuts agenda
  • Xenofeminism
  • Speaking Bitterness
  • The Wedding Spectacle in Contemporary Media and Culture
  • Abject desires in the age of anger
  • The politics of the traumatised voice
  • On joining the editorial team of European Journal of Cultural Studies in its 25th year
  • Introduction to the first edition of Cultural Commons
  • Culture and commoning in a time of coronavirus: Introduction to a Cultural Commons special section on COVID-19
  • “Stay the fuck at home!”: feminism, family and the private home in a time of coronavirus
  • Domesticating the Airwaves
  • Feminist anger and feminist respair
  • Re-enchanting the crisis: Reflections on rurality, futurity and COVID-19 in the United Kingdom
  • Cultural commons: Critical responses to COVID-19, part 2
  • Book Review: Jim McGuigan, Raymond Williams: Cultural Analyst
  • Gender and Transnational Media
  • “I am against Americanizing England. Ordinary TV does not seem to have an elevating influence”: class, gender, public anxiety, and the responses to the arrival of commercial television in the Mass Observation Archive, UK
  • Introduction to a commentary and criticism section on gender and transnational media
  • A life lasts longer than the body through which it moves: An introduction to a special Cultural Commons section on Raymond Williams
  • The reactionary turn in popular feminism
  • From femcels to ‘femcelcore’: Women’s involuntary celibacy and the rise of heteronihilism
  • Through the looking glass: Feminism and reactionary politics in the digital hall of mirrors

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