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Kathryn Brown
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FILE UNDER EMBARGO
Feminist digital art history
Kathryn Brown
2020-03-13T15:08:23Z
CONFIDENTIAL FILE
Introduction [The Routledge Companion to Digital Humanities and Art History]
Kathryn Brown
2020-03-13T14:54:42Z
Private influence, public goods and the future of art history
Kathryn Brown
2019-05-23T12:49:44Z
CONFIDENTIAL FILE
Unfolding the domestic interior: Women, newspapers, and the nineteenth-century city
Kathryn Brown
2019-02-18T11:30:40Z
CONFIDENTIAL FILE
Introduction [Perspectives on Degas]
Kathryn Brown
2019-02-18T11:09:36Z
CONFIDENTIAL FILE
The domestic interior as a tactile space: Jules-Aimé Dalou and Pierre-Auguste Renoir
Kathryn Brown
2019-02-18T11:01:09Z
Intimacy and exclusion: Degas's illustrations for Ludovic Halevy's La Famille Cardinal
Kathryn Brown
2019-02-18T10:06:30Z
CONFIDENTIAL FILE
Collage as form and idea in the art criticism of Tristan Tzara
Kathryn Brown
2019-02-18T09:50:40Z
Degas in pieces: Form and fragment in the late Bather pastels
Kathryn Brown
2018-10-22T09:19:48Z
Fouad Elkoury's Suite Egyptienne
Kathryn Brown
2017-05-11T14:02:03Z
Photography, building and dwelling: Fiona Tan’s empty house
Kathryn Brown
2017-02-03T11:04:21Z
Ink Remix: Contemporary Art from Mainland China, Taiwan and Hong Kong, curated by Sophie McIntyre [Exhibition Review]
Kathryn Brown
2016-09-13T15:36:10Z
CONFIDENTIAL FILE
Computer art and the cosmopolitan imagination
Kathryn Brown
2016-08-11T08:13:26Z
Touch and vision in Edgar Degas's Darkfield monotypes
Kathryn Brown
2016-08-10T14:53:19Z
Egyptian voyages: Gustave Flaubert, Maxime Du Camp, and Fouad Elkoury
Kathryn Brown
2016-08-10T14:08:07Z
Art and epistemic injustice: Ursula Biemann's remote sensing and black sea files
Kathryn Brown
2016-08-10T11:24:07Z
CONFIDENTIAL FILE
Renegotiating the West in Joel and Ethan Coen's True Grit
Kathryn Brown
2016-08-10T10:49:18Z
Reframing disaster: word and image in Tacita Dean's The Russian Ending
Kathryn Brown
2016-07-21T15:13:29Z
