Lora Markova

Publications

• Virtual Production and the Future of Live Performance: Intermedial Trajectories of Expanded Animation in the Immersive Production Dream (Royal Shakespeare Company, 2021) in Mitchell, S., Perry, C., Redmond, S., Torre, L. (eds.) The Screens of Virtual Production. What is Real? London: Routledge DOI: 10.4324/9781003463139-10
• Remixing transcultural mobilities on screen: Remapping Europe, A Remix Project in R. Trandafoiu (ed.) Border Crossings and Mobilities on Screen, London: Routledge DOI: 10.4324/9781003127703-12
• Leonora Carrington’s Imaginary Homelands: On the Documentary Construction of the Artist’s Cultural and Artistic Identity in Studies in Visual Arts and Communication 7(2)
• Leonora Carrington on and off Screen: Intertextual and Intermedial Connections between the Artist’s Creative Practice and the Medium of Film in Arts 8(1) http://doi.org/10.3390/arts8010011
• Transcultural Aesthetics in European Transmedia Art Projects: on the Social Effects of Artistic Co-creativity in Cuenca J, Ahedo R. (eds.) Cultural and Creative Industries Social Effects, pp. 377-394. Bilbao: University of Deusto
• Mapping In-Betweenness. On the Representation of Transculturality in The Edge of Heaven (Fatih Akin 2007) in (Klein L, Tamcke M.) Europeans In-Between: Identities in a (Trans-) Cultural Space, pp. 45-63. Goettingen: Euroculture consortium