NF
Publications
- Patrick McGrath
- Michael Moorcock
- Chesterton, Machen and the Invisible City
- 'The Harem of Words': Attenuation and Excess in Decadent Poetry
- Swinburne's Shakespeare: The Verbal Whirlwind?
- E. Nesbit's New Woman Gothic
- An Appreciation of M. John Harrison
- Wilde's Edwardian Afterlife: Somerset Maugham, Aleister Crowley, and The Magician
- British Barbarians at the Gates: Grant Allen, Michael Moorcock and Decadence
- 'Falling into Philistine Hands': Swinburne's Transgressive Correspondence
- 'Where the Evil Is': The London of Derek Raymond
- Permissive Paradise: The Fiction of Swinging London
- 'A Decadent Appetite for the Lurid'? James Herbert, The Spear and 'Nazi Gothic'
- 'Nothing of the Wild Wood?' Pan, Paganism and Spiritual Confusion in E. F. Benson's 'The Man Who Went Too Far'
- Ballad of a Demon Barber: The Criminal Career of George Chapman
- What Kind of Love Came to Professor Guildea? Robert Hichens, Oscar Wilde, and the Queer Ghosts of Hyde Park
- The Victorian Ghost Story
- Arthur Machen: Ecstasy and Epiphany
- See Europe with ITC: Stock Footage and the Construction of Geographical Identity
- Sensational Ghosts, Ghostly Sensations
- Edward Thomas, Swinburne, and Richard Jefferies: 'The Dead Oak Tree Bough'
- The Gallows Nightingale: Swinburne's Translations of Villon
- Not 'Accuracy' but 'Suggestiveness': Impressionism in The Soul of London
- 'The Cocky Walkers': Youth Crime and Social Comment